An introduction to the philosophy of art / Richard Eldridge.

By: Material type: TextTextLanguage: Αγγλική Publication details: Cambridge Cambridge University Press 2003Description: 285 σSubject(s): DDC classification:
  • 701
Incomplete contents:
Περιεχόμενα: The situation and tasks of the philosophy of art / Representation, imitation, and resemblance / Beauty and form / Expression / Originality and imagination / Understanding arrt / Identifying and evaluating art / Art and emotion / Art and morality / Art and society: some contemporary practices of art / Epilogue: the evidence of things not seen.
Summary: A clear and compact survey of philosophical theories of the nature and significance of art. Drawing on materials from classical and contemporary philosophy as well as from literary theory and art criticism, Eldridge explores the representational, expressive, and formal dimensions of art, and argues that works of art present their subject matter in ways that are of enduring cognitive, moral, and social interest.
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Books Books Βιβλιοθήκη Ιδρ. Παναγιώτη & Έφης Μιχελή Κεντρικό Βιβλιοστάσιο Βιβλία Γενικού Περιεχομένου 701 ELD (Browse shelf(Opens below)) Διαθέσιμο για ανάγνωση στη Βιβλιοθήκη 020023/1
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701 DUT LE MUSEE INIMAGINABLE : ESSAI, Ι / 701 DUT LE MUSEE INIMAGINABLE : ESSAI, ΙI / 701 DUT LE MUSEE INIMAGINABLE : ESSAI PAR L'IMAGE, ΙII / 701 ELD An introduction to the philosophy of art / 701 FIT Il linguaggio figurato : Da "Disegno" ad "Arte e immagine" / 701 FRY Vision and design / 701 GHY Le nombre d'or :

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Περιεχόμενα: The situation and tasks of the philosophy of art / Representation, imitation, and resemblance / Beauty and form / Expression / Originality and imagination / Understanding arrt / Identifying and evaluating art / Art and emotion / Art and morality / Art and society: some contemporary practices of art / Epilogue: the evidence of things not seen.

A clear and compact survey of philosophical theories of the nature and significance of art. Drawing on materials from classical and contemporary philosophy as well as from literary theory and art criticism, Eldridge explores the representational, expressive, and formal dimensions of art, and argues that works of art present their subject matter in ways that are of enduring cognitive, moral, and social interest.

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