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Theories of art : from Plato to Winckelmann / Moshe Barasch.

By: Material type: TextTextLanguage: Αγγλική Publication details: New York and London New York University Press 1985Description: 394 σ. pbk 23 εκISBN:
  • 0 8147 1061 1
Subject(s): DDC classification:
  • 701
Contents:
Περιεχόμενα: Introduction / Antiquity: Introduction - The philosophers: Plato, Aristotle - Teachings of the workshops: Xenophon, Polyclitus, Xenokrates - The problem of the artist: Social conditions, The artist's imagination - Plotinus / The Middle Ages: Iconoclasm - The early Middle Ages: the West - Workshop literature - Aesthetic values in the late Middle Ages - Scholasticism / The early Renaissance: The imitation of nature: a concept emerges - Alberti: the birth of a new theory of art - "Correct imitation": art and science - Anatomy - Leonardo da Vinci - Durer - Formal correctness: perspective / The artist and the medium: some facets of the high Renaissance: Paragone - Rise of the creative artist: Social conditions, The artist's nature, The gift of creativity - Michelangelo / The late Renaissance: New authors and new readers - Florence and Rome: Vasari, Vincenzio Danti, Armenini - Venice: Prelude, Hypnerotomachia Poliphili, The system of painting, Beginnings of criticism - Northern Italy: The iconographic manual comes into being, Lomazzo: the system, Lomazzo: a doctrine of styles - Rebelling against the rules: the last phase of Renaissance art theory: Poetics and philosophy, Zuccari: the theory of disegno / Classicism and Academy: Foundations: New institutions - The Academy in Paris: rule of rules: Le Brun, "Les règles", "Grand goût" - Crisis of the Academy: Background, Roger de Piles, "Le débat sur le coloris", Modernity, Poussinists and Rubenists / Name index / Subject index
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Holdings
Item type Current library Collection Call number Status Date due Barcode
Books Books Βιβλιοθήκη Ιδρ. Παναγιώτη & Έφης Μιχελή Κεντρικό Βιβλιοστάσιο Βιβλία Γενικού Περιεχομένου 701 BAR (Browse shelf(Opens below)) Διαθέσιμο για ανάγνωση στη Βιβλιοθήκη 14136/1

Βιβλιοκρισία: Richard Woodfield, British Journal of Aesthetics, vol. 26, no. 4 (Autumn 1986), 395-396

Απογρ. Ιούν. 1997

Περιλαμβάνει βιβλιογρ. σημ. στο τέλος κάθε κεφ., ευρετήριο ονομάτων (σσ. 379-385) και θεμάτων (σσ. 387-394)

Περιεχόμενα: Introduction / Antiquity: Introduction - The philosophers: Plato, Aristotle - Teachings of the workshops: Xenophon, Polyclitus, Xenokrates - The problem of the artist: Social conditions, The artist's imagination - Plotinus / The Middle Ages: Iconoclasm - The early Middle Ages: the West - Workshop literature - Aesthetic values in the late Middle Ages - Scholasticism / The early Renaissance: The imitation of nature: a concept emerges - Alberti: the birth of a new theory of art - "Correct imitation": art and science - Anatomy - Leonardo da Vinci - Durer - Formal correctness: perspective / The artist and the medium: some facets of the high Renaissance: Paragone - Rise of the creative artist: Social conditions, The artist's nature, The gift of creativity - Michelangelo / The late Renaissance: New authors and new readers - Florence and Rome: Vasari, Vincenzio Danti, Armenini - Venice: Prelude, Hypnerotomachia Poliphili, The system of painting, Beginnings of criticism - Northern Italy: The iconographic manual comes into being, Lomazzo: the system, Lomazzo: a doctrine of styles - Rebelling against the rules: the last phase of Renaissance art theory: Poetics and philosophy, Zuccari: the theory of disegno / Classicism and Academy: Foundations: New institutions - The Academy in Paris: rule of rules: Le Brun, "Les règles", "Grand goût" - Crisis of the Academy: Background, Roger de Piles, "Le débat sur le coloris", Modernity, Poussinists and Rubenists / Name index / Subject index

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