An aesthetic approach to Byzantine art / by P. A. Michelis; with a foreword by Sir Herbert Read.
Material type:
TextLanguage: Αγγλική Original language: Ελληνική Publication details: London B. T. Batsford Ltd 1955Edition: First published in Great BritainDescription: XX, 284 σ. 150 εικ. 22 εκSubject(s): LOC classification: - BH 136.B8
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Βιβλιοθήκη Ιδρ. Παναγιώτη & Έφης Μιχελή Κεντρικό Βιβλιοστάσιο | Βιβλία Αισθητικής | BH 136.B8 ΜΙΧ (Browse shelf(Opens below)) | Διαθέσιμο για ανάγνωση στη Βιβλιοθήκη | 16870/1 | ||
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Books
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Βιβλιοθήκη Ιδρ. Παναγιώτη & Έφης Μιχελή Κεντρικό Βιβλιοστάσιο | Βιβλία Αισθητικής | BH 136.B8 ΜΙΧ (Browse shelf(Opens below)) | Διαθέσιμο για ανάγνωση στη Βιβλιοθήκη | 16870/2 |
"I am indebted to Mr. Stephen Xydis for the first draft of the translation, to Miss Mary Moschona for giving it its final form" (Preface to the English edition)
Καταχώρηση Μάρτ. 2001, απογρ. Δεκ. 2003
Περιλαμβάνει ευρετήρια (σσ. 277-284)
Περιεχόμενα: Foreword by Sir Herbert Read / Preface to the English edition / Preface / List of illustrations / PART I: The aesthetic character of Christian art: Introduction - The beautiful and the sublime in art - The Christian ideal and its sublime character / PART II: The sublime in Byzantine art: The expression of the sublime in Byzantine architecture (The church - Technique - Space - Light - Decoration) - The expression of the sublime in Byzantine church painting (Hagiography - Technique - Perspective - Composition - Style) - The mutations of the sublime in the development of Byzantine art (The three stages - The first period, extension - The second period, intensity - the thirs period, emphasis - Painting) - Historical factors in Byzantine art and its originality (Historical factors - The Orient - Rome - Hellas - The duality of Byzantine art) / PART III: The aesthetic approach to the history of art: Art in time (Wolfflin's theory - The basic concepts - Auxiliary concepts) - The periodical alternations of the beautiful and the sublime in art (The three questions - Theocracy and anthropocracy - The objective auxiliary concepts of the history of art - The subjective auxiliary concepts of the history of art - Birth, maturity and decadence) - The interdependence of the aesthetic categories (The historical action of the aesthetic categories - The beautiful and the sublime - The tragic and the comic - The graceful and the ugly) / Conclusions / Index
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