Image from Coce

16 studies / H.W. Janson.

By: Material type: TextTextLanguage: Αγγλική Publication details: New York : H.N. Abrams, [1974].Description: xi, 338 σ. εικ. 26 εκISBN:
  • 0-8109-0130-7
Subject(s): DDC classification:
  • 701
Contents:
The putto with the Death's head.--Titian's Laocoon caricature and the Vesalian-Galenist controversy.--The "image made by chance" in Renaissance thought.--Fuseli's Nightmare.--Nanni di Banco's Assumption of the virgin on the Porta della Mandorla.--Giovanni Chellini's Libro and Donatello.--The image of man in Renaissance art: from Donatello to Michelangelo.--Originality as a ground for judgment of excellence.--The equestrian monument from Cangrande della Scala to Peter the Great.--Observations on nudity in neoclassical art.--Ground plan and elevation in Masaccio's Trinity fresco.--Rodin and Carrier-Belleuse: the Vase des titans.--Donatello and the antique.--The right arm of Michelangelo's Moses.--The meaning of Giganti.--Criteria of periodization in the history of European art.
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Holdings
Item type Current library Collection Call number Status Date due Barcode
Books Books Βιβλιοθήκη Ιδρ. Παναγιώτη & Έφης Μιχελή Κεντρικό Βιβλιοστάσιο Συλλογή Woodfield 701 JAN (Browse shelf(Opens below)) Διαθέσιμο για ανάγνωση στη Βιβλιοθήκη

"A collection of essays published in periodicals between 1937 and 1970."

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The putto with the Death's head.--Titian's Laocoon caricature and the Vesalian-Galenist controversy.--The "image made by chance" in Renaissance thought.--Fuseli's Nightmare.--Nanni di Banco's Assumption of the virgin on the Porta della Mandorla.--Giovanni Chellini's Libro and Donatello.--The image of man in Renaissance art: from Donatello to Michelangelo.--Originality as a ground for judgment of excellence.--The equestrian monument from Cangrande della Scala to Peter the Great.--Observations on nudity in neoclassical art.--Ground plan and elevation in Masaccio's Trinity fresco.--Rodin and Carrier-Belleuse: the Vase des titans.--Donatello and the antique.--The right arm of Michelangelo's Moses.--The meaning of Giganti.--Criteria of periodization in the history of European art.

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