| 000 | 01611nam a2200289 u 4500 | ||
|---|---|---|---|
| 999 |
_c15606 _d15606 |
||
| 001 | 22065 | ||
| 003 | GR-AtMFL | ||
| 005 | 20191211115052.0 | ||
| 008 | 101104s19992010uk a g 001 eng | ||
| 020 | _a9780521147439 | ||
| 040 |
_aGR-AtMFL _cGR-AtMFL |
||
| 041 | 0 | _aeng | |
| 082 | _a700.1 | ||
| 100 | 1 |
_aKemal, Salim _4edt _98135 |
|
| 245 | 1 | 0 |
_aPerformance and authenticity in the arts / _cedited by Salime Kemal and Ivan Gaskell. |
| 250 | _aDigitally printed version 2010 | ||
| 260 |
_aCambridge _bCambridge University Press _c2010 |
||
| 300 |
_ax,274σ. _bεικ., α/μ _c23εκ. |
||
| 490 | 0 |
_aCambridge studies in philosophy and the arts / series editors Salim Kemal and Ivan Gaskell _928591 |
|
| 504 | _aΠεριέχει ευρετήριο | ||
| 505 | 0 | _aΠεριεχόμενα: Gregory Scott, The Poetics of performance / Nicholas Davey, Art, religion and the hermeneutics of authenticity / Michael Tanner, understanding music / Malcolm Budd, Understanding music / Fred Everett Maus, Musical performance as analytical communication / Stan Godlovitch, Performance authenticity / Joseph J. Kockelmans, Why is it impossible in language to articulate the meaning of a work of music? / Alex Neill, Inauthenticity, insincerity and poetry / Peter Middleton, Poetry's oral stage / Henry M. Sayre, Spalding Gray and the authenticities of performance | |
| 650 | 4 |
_aΑυθεντικότητα _96209 |
|
| 650 | 4 |
_aΔημιουργία _xΚαλλιτεχνική _93316 |
|
| 650 | 4 |
_aΠαραστασιακές τέχνες _921765 |
|
| 700 | 1 |
_aGaskell, Ivan _d(1955- ) _4edt _918971 |
|
| 942 |
_2ddc _cBK |
||