000 | 01741nam a2200289 u 4500 | ||
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001 | 23730 | ||
003 | GR-AtMFL | ||
005 | 20190301122222.0 | ||
008 | 161125s1998 uk a g 001 eng | ||
020 | _a0719035619 | ||
040 | _aGR-AtMFL | ||
041 | 0 | _aeng | |
082 | 0 | 4 | _a770.1 |
100 | 1 |
_aRoberts, John _d1955- _4XX _924337 |
|
245 | 1 | 0 |
_aThe art of interruption : _brealism, photography and the everyday / _cJohn Roberts. |
260 |
_aManchester _bManchester University Press _c1998 |
||
300 |
_axii,241σ. _bεικ., α/μ, έγχρ. _c24εκ. |
||
490 | 0 |
_aThe critical image _928834 |
|
501 | _aΔωρεά R. Woodfield Δεκ. 2013 | ||
504 | _aΠεριέχει βιβλιογραφικές παραπομπές και ευρετήριο | ||
505 | 0 | _aΠεριεχόμενα: Introduction: Realism, Contradiction and Interpretation / Photography, the Everyday and the Russian Revolution / Technique, Technology and the Everyday: German Photographic Culture in the 1920s and 30s / The Making of Documentary: Documentary After Factography / The State, the Everyday and the Archive / Surrealism, Photography and the Everyday / Inside Modernism: American Photography and Post-War Culture / John Berger and Jean Mohr: The Return to the Community / The Rise of Theory and the Critique of Realism: Photography in Britain in the 1980s / Disfiguring the Ideal: The Body, Photography and the Everyday / Jeff Wall: The Social Pathology of Everyday Life / Jo Spence: Photography, Empowerment and the Everyday | |
650 | 4 |
_aΦωτογραφία _xΦιλοσοφία _924338 |
|
650 | 4 |
_aΦωτογραφία _xΚριτική _917039 |
|
650 | 4 |
_aΡεαλισμός στην τέχνη _97234 |
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942 |
_2ddc _cBK |
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997 | _f23730 | ||
999 |
_c17263 _d17263 |