000 01741nam a2200289 u 4500
001 23730
003 GR-AtMFL
005 20190301122222.0
008 161125s1998 uk a g 001 eng
020 _a0719035619
040 _aGR-AtMFL
041 0 _aeng
082 0 4 _a770.1
100 1 _aRoberts, John
_d1955-
_4XX
_924337
245 1 0 _aThe art of interruption :
_brealism, photography and the everyday /
_cJohn Roberts.
260 _aManchester
_bManchester University Press
_c1998
300 _axii,241σ.
_bεικ., α/μ, έγχρ.
_c24εκ.
490 0 _aThe critical image
_928834
501 _aΔωρεά R. Woodfield Δεκ. 2013
504 _aΠεριέχει βιβλιογραφικές παραπομπές και ευρετήριο
505 0 _aΠεριεχόμενα: Introduction: Realism, Contradiction and Interpretation / Photography, the Everyday and the Russian Revolution / Technique, Technology and the Everyday: German Photographic Culture in the 1920s and 30s / The Making of Documentary: Documentary After Factography / The State, the Everyday and the Archive / Surrealism, Photography and the Everyday / Inside Modernism: American Photography and Post-War Culture / John Berger and Jean Mohr: The Return to the Community / The Rise of Theory and the Critique of Realism: Photography in Britain in the 1980s / Disfiguring the Ideal: The Body, Photography and the Everyday / Jeff Wall: The Social Pathology of Everyday Life / Jo Spence: Photography, Empowerment and the Everyday
650 4 _aΦωτογραφία
_xΦιλοσοφία
_924338
650 4 _aΦωτογραφία
_xΚριτική
_917039
650 4 _aΡεαλισμός στην τέχνη
_97234
942 _2ddc
_cBK
997 _f23730
999 _c17263
_d17263