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Refiguring the real : picture and modernity in word and image. 1400-1700 / Christopher Braider.

By: Material type: TextTextLanguage: Αγγλική Publication details: New Jersey Princeton University Press 1993Description: xiv,314σ. εικ., α/μ 25εκISBN:
  • 0691069573
Subject(s): DDC classification:
  • 701.17
Contents:
Περιεχόμενα: Introduction: Ut pictura poesis: Image and Text in Postmedieval Writing and Art / Una piu grassa Minerva: The Origins of Perspective and the Aesthetics of the Incarnation in Alberti's Della pittura / La verite en peinture: Space, Place, and Truth in Rogier van der Weyden's St. Ivo / Landscape with the Fall of Icarus: The Death of Allegory and the Discovery of the World in the Elder Pieter Bruegel / A Double-Silvered Glass: Christian Imitation and the "Curious Perspective" in Cervantes's Don Quijote / Idols of the Mind: Baroque Illusion, Theatrical Persuasion, and the Aesthetics of Iconoclasm in Jan Steen / The Denuded Muse: The Unmasking of Point of View in the Cartesian Cogito and Vermeer's The Art of Printing / The Art of Mis/Reading Art: Text, Image, and Modernity in Rembrandt's Philosopher / Et in Arcadia Ego: The End of Ut Pictura and the Invention of the Aesthetic in Nicolas Poussin / Conclusion: The Poetry of Absorption and the Ontology of the Modern in Lessing, Greuze, and Kant
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Item type Current library Collection Call number Status Date due Barcode
Books Books Βιβλιοθήκη Ιδρ. Παναγιώτη & Έφης Μιχελή Κεντρικό Βιβλιοστάσιο Συλλογή Woodfield 701.17 BRA (Browse shelf(Opens below)) Διαθέσιμο για ανάγνωση στη Βιβλιοθήκη 023551/1

Δωρεά R. Woodfield Δεκ. 2013

Περιέχει βιβλιογραφία και ευρετήριο

Περιεχόμενα: Introduction: Ut pictura poesis: Image and Text in Postmedieval Writing and Art / Una piu grassa Minerva: The Origins of Perspective and the Aesthetics of the Incarnation in Alberti's Della pittura / La verite en peinture: Space, Place, and Truth in Rogier van der Weyden's St. Ivo / Landscape with the Fall of Icarus: The Death of Allegory and the Discovery of the World in the Elder Pieter Bruegel / A Double-Silvered Glass: Christian Imitation and the "Curious Perspective" in Cervantes's Don Quijote / Idols of the Mind: Baroque Illusion, Theatrical Persuasion, and the Aesthetics of Iconoclasm in Jan Steen / The Denuded Muse: The Unmasking of Point of View in the Cartesian Cogito and Vermeer's The Art of Printing / The Art of Mis/Reading Art: Text, Image, and Modernity in Rembrandt's Philosopher / Et in Arcadia Ego: The End of Ut Pictura and the Invention of the Aesthetic in Nicolas Poussin / Conclusion: The Poetry of Absorption and the Ontology of the Modern in Lessing, Greuze, and Kant

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